3 370 безкоштовних аудіофайлів для "String Quartet No. 6 (beethoven)"

Klaviersonate Nr. 4 Op. 7, E-Dur - III. allegro

Piano Sonata No. 21 in C major,Op. 53, Waldstein. I. Allegro con brio. Sonate pour piano n° 21 en do majeur, opus 53. II Allegro con brio.

Klaviersonate Nr. 7 D-Dur, op. 10.3 - IV. Rondo - allegro

Klaviersonate Nr. 16 G-Dur op. 31.1 - I. allegro vivace

Klaviersonate Nr. 3, Op. 2.3 C-Dur - IV. allegro assai

Klaviersonate Nr. 13 in Es-Dur, op. 27.1 Quasi una Fantasia - II. allegro molto e vivace

Klaviersonate Nr. 18 Es-Dur, op. 31.3 Die Jagd - I. allegro

Klaviersonate Nr. 29 B-Dur op. 106 Hammerklavier - I. allegro

Klaviersonate Nr. 2 Op. 2.2 - I. allegro vivace

Klaviersonate Nr. 5, Op. 10.1 - I. Allegro molto e con brio

Klaviersonate Nr. 10 G-Dur, op. 14.2 - III. Allegro assai

Klaviersonate Nr. 3, Op. 2.3 C-Dur - I. allegro con brio

Cello Sonata No. 3 (in A minor) — 2nd movement, allegro molto

A raw recording of a home-made 5-string kantele played by an uneducated person. The first part is an adaptation of the traditional song Vaka vanha Väinämöinen. The other parts are some random ways in which the instrument can be played and may or may not correspond to traditional playing methods.

Symphony No. 3 in E-flat major, Op. 55 (Beethoven) - 1st Movement (Part 2) - Allegro con brio 1st release date: 1935 1st recording date: 7 Septemper 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Symphony No. 3 in E-flat major, Op. 55 (Beethoven) - 4th Movement (Part 1) Finale (Allegro molto) 1st recording date: 7 September 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Symphony No. 4 in b-flat major, op. 60 - i. adagio.

The Anthem of Europe, based on the final movement ("Ode to Joy") of Beethoven's 9th Symphony composed in 1823. Performed by the United States Navy Band. This is the short version without introduction.

Ludwig van Beethoven's Piano Sonata No. 28 in A Major, Op. 101, Movement III: Langsam und sehnsuchtsvoll (Adagio, ma non troppo, con affetto) and movement IV: Geschwind, doch nicht zu sehr und mit Entschlossenheit. (Allegro) There is no pause between the two movements.

Ludwig van Beethoven's Piano Sonata No. 28 in A major, Op. 101.

Ludwig van Beethoven's Piano Sonata No. 28 in A Major, Op. 101, Movement II: Lebhaft, marschmäßig (Vivace alla marcia) Klaviersonate Nr. 28, 2. Satz

Klaviersonate Nr. 17 d-moll op. 31.2 Der Sturm - I. Largo. Allegro

Klaviersonate Nr. 29 B-Dur op. 106 Hammerklavier - II. Scherzo Assai vivace

Klaviersonate Nr. 29 B-Dur op. 106 Hammerklavier - III. Adagio sostenuto

Klaviersonate Nr. 17, d-moll, op. 31.2 Der Sturm - II. adagio

Klaviersonate Nr. 3, Op. 2.3, C-Dur - II. adagio

Klaviersonate Nr. 2 Op. 2.2 - III. Scherzo and Trio (allegretto)

Klaviersonate Nr. 13 Es-Dur op. 27.1 Quasi una Fantasia - III. Adagio con espressione

Sonate Nr. 1 f-Moll op. 2 Nr. 1, 2. Satz (adagio) Piano Sonata No. 1 in F minor, Op. 2, No. 1. 2. Adagio. Sonate pour piano n° 1 en fa mineur, opus 2 n° 1, 2eme mouvement, Adagio.

Klaviersonate Nr. 32 in c-moll, op. 111 - II. Arietta Adagio molto, semplice e cantabile

Klaviersonate Nr. 16 G-Dur op. 31.1 - II. Adagio grazioso

Klaviersonate Nr. 5, Op. 10.1 - II. adagio molto

Klaviersonate Nr. 11 B-Dur, op. 22 - II. adagio con molt'espressione

Klaviersonate Nr. 31 As-Dur op. 110 - III. adagio, ma non troppo

*Six secors on C. 18/56/19 = 700.29 cents.

An arpeggio passage from Bach's Jesu, Joy of Man's Desiring.

10. Chorale: Jesus bleibet meine Freude from BWV 147

1st release date: 1935 1st recording date: 7 September 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Klaviersonate Nr. 15 D-Dur op.28 Pastorale - III. Scherzo (allegro vivace)

Klaviersonate Nr. 12 B-Dur, op. 26 - II. Scherzo - Trio - Allegro molto

Bagatelles, Opus 33, no.1 by Ludwig van Beethoven, 2:47 minutes

Bagatelles, Opus 33, no.4 by Ludwig van Beethoven, 2:51 minutes

Klaviersonate Nr. 26, Les Adieux, op. 81a - I. adagio, allegro

Klaviersonate Nr. 24, Fis-Dur, A Therese - Adagio cantabile - Allegro ma non troppo

Place of recording: London (United Kingdom) Performer(s): London Philharmonic Orchestra Conductor: Serge Koussevitzky (1874-1951) Vocal range: instrumental Title/Work: Symphony No. 3 in E-flat major, Op. 55 Content: 3rd Movement - Scherzo (Allegro Vivace) and Trio Genre(s): Symphonic

*6 steps in 41 equal temperament on C. Equal-tempered: 26/41:1 = 175.61 cents. MIDI pitch bend: 25,56

*6 steps in 31 equal temperament on C. Equal-tempered: 26/31:1 = 232.26 cents. MIDI pitch bend: 41,74

Sound demo, played with modulation. You will hear every key. The registers (choires) are Viola, Violin and Horn. Note: Horn is the low pass filtered version of the register Trumpet, not an additional register! Data of instrument: Series 76 (Manufacturing year) No. 0131202 Manufactured by B. V. Eminent - Bodegraven - Holland

Crescendo demo, played without modulation. The crescendo only influences the registers Violin and Viola, not Trumpet/Horn and Contrabass and Cello. The crescendo effect is monophonic, i. e. the keys have always to be released and pressed down again in order to get the crescendo effect. Data of instrument: Series 76 (Manufacturing year) No. 0131202 Manufactured by B. V. Eminent - Bodegraven - Holland

A sound demo of the registers Violin, Viola and Horn, with modulation, crescendo and sustain. You will hear random akkords. Note: Horn is the low pass filtered version of the register Trumpet, not an additional register. Trumpet sounds much brighter. If the button Horn is pressed, you may release the button Trumpet, without any change in sound. Horn means French horn. The Trumpet or Horn register offer the effects of the brass section in an orchestra This is the famous and well known sound of the Arp/Solina String Ensemble! Data of instrument: Series 76 (Manufacturing year) No. 0131202 Manufactured by B. V. Eminent - Bodegraven - Holland